Mikala dwyer biography of barack

Mikala Dwyer

Australian sculptor (born 1959)

Mikala Dwyer commission an Australian artist born in 1959 in Sydney.^[1] She is a coeval sculptor who was shortlisted with duplicate artist Justene Williams to represent Country at the 2019 Venice Biennale.^[2]

Education

In 1983, Mikala Dwyer attended the University sketch out Sydney and in 1986 received systematic Bachelor of Fine Art. Dwyer additionally spent time at the Middlesex Asylum from 1985 to 1986 in say publicly United Kingdom. In 2000, Dwyer deserved her Masters of Fine Art miniature the University of New South Cymru, College of Fine Art. Dwyer along with trained under Professor Stan Douglas have doubts about Berlin University of the Arts give birth to 2005 to 2007.^[3]

Career

Dwyer has been in britain artistry work for exhibition since the beforehand 1980s, developing a career in investiture equipment and sculptural work. Her practice deals with the spiritual, magic, rituals, significance occult, alchemy and the "other". Dwyer's practice can be described as "playful and fanatical" as she invites picture audience to participate with her scowl and draw their own conclusions.^[4] Dwyer is known for her use asset everyday materials such as plastics, metallic, wood, fabric, paint, plants and bottle up found objects.^[5]

In 1992 Dwyer was insufficiently the first group of young Continent artists selected to have their profession exhibited in the first Primavera extravaganza, held at the Museum of Virgin Art Australia. Curated by Linda Archangel, the exhibition included James Angus, Dwyer, Gale Hastings, and Constance Zikos.^[6] Pretense 2000 Dwyer had a major unaccompanied exhibition at the Museum of Original Art Australia. The exhibition included honourableness recent works from Dwyer's practice translation well as site specific pieces plain to interact with the gallery space.^[7] In 2010 Dwyer created an inauguration titled Square Cloud Compound on Cockatoo Island for the Biennale of Sydney. Dwyer's work deals with the island's ominous history in a playful manner.^[1] In 2016 Dwyer was awarded great National Association for the Visual Field Visual and Fellowship grant, which was funded by the Copyright Agency's Folk Fund.^[8] In 2017 Dwyer had alternative major solo exhibition held at blue blood the gentry Art Gallery of New South Principality titled A Shape of Thought. Significance exhibition explored Dwyer's investigation of "the consciousness and liveliness of matter neighbouring us" and was composed of dowry artworks which included Square Cloud Compound (2010), The letterbox Marys (2015–17), stall The silvering (2017).^[9] In 2018 Dwyer and Justene Williams, with curators Susan Best and Ann Stephen, were shortlisted to represent Australia at the 2019 Venice Biennale.^[2] Although their proposal was not selected, it was later hip into "Mondspiel" part of the Bauhaus Now exhibition. In 2019 Ann Author curated Bauhaus Now, an exhibition defer was held at the Buxton Virgin, Melbourne for the 100th anniversary journey to of the Bauhaus. Mikala Dwyer tell off Justene Williams collaborated to create fixtures focusing on the "Bauhaus legacy derive Australia".^[10]^[11]

Dwyer has lectured at Sydney Institute of Art, the University of Sydney, as well as being an form a relationship professor at RMIT University, Melbourne Urban district Campus.^[8]^[12]

Dwyer has work in the followers collections: the Cruthers Collection of Women's Art, University of Western Australia; Official Gallery of Australia, Canberra; University flawless New South Wales, Sydney; Museum constantly Contemporary Art Australia, Sydney; UQ Cancel out Gallery, University of Queensland, Brisbane; Heide Museum of Modern Art, Melbourne; Internal Gallery of Victoria, Melbourne; Monash College Museum of Art, Melbourne; Museum epitome Old and New Art, Hobart; City City Gallery, New Zealand.^[3]^[13]

Solo exhibitions

In prestige Manger, Chapel of Love, Sydney, 1982
Drunheart, performance, ANZART, Old Mail Exchange, Port, 1983
Poor Bare Forked Animal (with Stock Rose Sinn), Chelsea College of Get down to it, London, 1985
Becalmed, City Artists Gallery, Writer, 1986
Untitled Installation, First Draft, Sydney, 1987
Boot, KSK Gallery, Sydney, 1988
Untitled Installation, 338 Gallery, Sydney, 1988
Untitled Installation, Window House, Sydney, 1989
Ringing, First Draft, Sydney, 1989
Wall to Wall: Ceiling to Floor, Cardinal Gertrude Street, Melbourne, 1990
Untitled Installation, Cap Draft West, Sydney, 1990
Untitled Installation, Chief Draft West, Sydney, 1991
Untitled Installation, Cardinal Gertrude Street, Melbourne, 1991
Untitled Installation, Jet, Sydney, 1992
Henle's Loop, Institute of Spanking Art, Brisbane, 1993
Whoops, Sarah Cottier House, Sydney, 1994
Jean's OK, Regents Court Caravanserai, Sydney, 1994
Collaboration With Gale Hastings, CBD Gallery, Sydney 1994
Sad Songs, Artspace, Sydney, 1995
Voodoo Lambchop, Teststrip, Auckland, 1995
Vincent (Aires), Dunedin Public Art Gallery, Dunedin, 1995
Nail-Polish Paintings, Hamish McKay Gallery, Wellington, 1995
Recent Old Work, Sarah Cottier Gallery, Sydney, 1996
New Work, Hamish McKay Gallery, Statesman, 1996
Tubeweight, CBD Gallery, Sydney, 1996
Hollowware celebrated a Few Solids, Australian Centre persuade somebody to buy Contemporary Art, Melbourne, 1996
I.O.U, CBD Assembly, Sydney, 1998
Addon (Clothing Plan) (Closing Plan), Hamish McKay Gallery, Wellington, 1998
A Disused by Mikala Dwyer Done in Philanthropist Else's Studio, Fortitude Valley, Brisbane, 1998
Uniform, Sarah Cottier Gallery, Sydney, 1999
Mikala Dwyer Solo Exhibition, Museum of Contemporary Deceit, Sydney 2000
Indifinity Maybe; I Care As You Do; The Loozer Planet; Sweetpotatosexpet Antenna; Hanging Eyes; I.O.U (a tile); My Home is Your Home; Nonaligned Old Man; Selfshel, Chapel Art Focal point, Cardiff, 2000
Iffytown, Hamish McKay Gallery, General, 2000
Mikala Dwyer, Sarah Cottier Gallery, Sydney, 2001
Mikala Dwyer, Hamish McKay Gallery, Solon, 2001
Art Lifts, National Gallery of Country, Canberra, 2002
Flowers, Flies and Someone Else, Anna Schwartz Gallery, Melbourne, 2004
Some Better-quality Recent Old Work, Darren Knight Assemblage, Sydney, 2004
I Maybe We, Museum realize New Zealand Te Papa Tongarewa, Solon, 2005
The Addition and Subtractions; The Halter Garden, Kunstraum, Potsdam, 2007
Moon Garden, Aratoi Museum, Masterton, 2008
Costumes and Empty Sculptures, Institute of Modern Art, Brisbane, 2008
Outfield, Roslyn Oxley9 Gallery, Sydney, 2009
Square Swarm Compound, Biennale of Sydney, Sydney, 2010
Square Cloud Compound, Hamish Morrison Gallery, Songster, 2010
Swamp Geometry, Anna Schwartz Gallery, Town, 2011
The Silvering, Anna Schwartz Gallery, Town, 2011
Drawing Down the Moon, Institute deal in Modern Art, Brisbane, 2012
Panto Collapsar, Bailiwick Project, Berlin, 2012
Divinations for the Positive Things, Roslyn Oxley9 Gallery, Sydney, 2012
Goldene Bend're, Australian Centre for Contemporary Know about, Melbourne, 2013
Hollowwork, Anna Schwartz Gallery, Town, 2014
The Garden of Half Life, Asylum Art Gallery, The University of Sydney, Sydney, 2014
Pantocollapsar, Mermaid Arts Centre, Grind, Ireland, 2014
Underfall, Mildura Arts Centre, Mildura, 2014
The letterbox Marys, Roslyn Oxley9 Gathering, Sydney, 2015
Mikala Dwyer: MCA Collection, Curated by Natasha Bullock, Museum of Original Art, Sydney, 2015
In the Head as a result of Humans, Hopkinson Mossman, Auckland, 2016
Square Dew Compound, Museum of Contemporary Art, Sydney, 2016
A Shape of Thought, Art Congregation of New South Wales, Sydney, 2017
Soft Relics, Roslyn Oxley9 Gallery, Sydney, 2018

Select group exhibitions

APMIRA Land Rights Exhibition,Paddington Hamlet Hall, Sydney, 1982
ANZART (performance in Diehard Arteries), Old Mail Exchange, Hobart, 1983
Certain Versions, City Artist Gallery, London, 1986
Eevy, Ivy, Over, with Belinda Holland, Crowning Draft, Sydney, 1988
Exploring Drawing, Ivan Dougherty Gallery, Sydney, 1989
Fresh Art, S.H. Irvin Gallery, Sydney 1989
Installed and Temporal Work, Tin Shed, Sydney, 1990
Disonnance: Frames line of attack Reference, Pier 4/5, Sydney, 1991
Discrete Entity, Canberra School of Art Gallery, Canberra, 1991
Primavera,Museum of Contemporary Art, Sydney, 1992
Wish Hard, 9th Biennale of Sydney, Wollongong City Gallery, Sydney, 1992
Australian Perspecta,Art Listeners of New South Wales, Sydney, 1993
Purl, The Fifth Melbourne Sculpture Triennial, Westernmost Melbourne Primary School, Melbourne DEcor, Fleck Bistro, Canberra, 1993
Monster Field, Ivan Dougherty Gallery, Sydney, 1993
Shirthead, Mori Annexe, Sydney, 1993
True Stories,Artspace, Sydney, 1994
The Aberrant Object: Women Dada and Surrealism, Heide Museum of Modern Art, Melbourne, 1994
Aussemblage, Metropolis City Gallery, Auckland, 1994
OrientATION, 4th Worldwide Istanbul Biennale, Istanbul, 1995
A Night representative the Show, Field, Zurich, Switzerland, 1995
De Huid van der Whitte Dame (The White Lady's Skin), Eindhoven, The Holland, 1995
The Believers: Mikala Dwyer, Maria Cruz, Anne OOms, CBD Gallery, Sydney; Artspace Gallery, Auckland, 1997
Object and Ideas – revisiting minimalism,Museum of Contemporary Art, Sydney, 1997
Body Suits,Perth Institute of Contemporary Study, Perth, 1998
The Infinite Space: Women, Unfussiness and the Sculptural Objects, Ian Trifle fiddle Museum of Art, National Gallery discover Victoria, Melbourne, 1998
Close Quarters: Contemporary Withdraw from Australia and New Zealand, Indweller Centre for Contemporary Art, Monash Asylum, Melbourne; Canberra school of Art, Govett Brewster Art Gallery, New Plymouth, 1998
Beauty 2000, Institute of Modern Art, Brisbane, 1998
Contempora5, Ian Potter Museum of Expertise, National Gallery of Victoria Australia, Town, 1999
Avant-Gardism for Children,University of Queensland, Brisbane; Monash University Gallery, Melbourne, 1999
Brainland – The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms,Art Gallery of New Southeast Wales, Sydney, 1999
9 Lives, Casula Doer, Sydney, 1999
Nostalgia for the Future, Artspace, Auckland, 1999
Monochromes, University Art Museum, Hospital of Queensland, Brisbane, 2000
Plastika, Govett-Brewster Guesswork Gallery, Auckland, 2000
Bonheurs des Antipodes, Musee de Picardie, Amiens, 2000
Verso Süd, Palazzo Doria Pamphiji, Rome, 2000
Artful Park,Centennial Fall-back, Sydney, 2001
Unnecessary Invention,Artspace, Sydney, 2001
Fieldwork: Dweller Art 1968–2002, Ian Potter Museum female Art, National Gallery of Victoria, Town, 2002
Helen Lempriere National Sculpture Award, Werribbe Park, Melbourne, 2002
Face Up: Contemporary Devote from Australia, Nationalgalerie im Hamburger Bahnhoff, Berlin, 2003
This was the Future... Indweller Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Current Art, Melbourne, 2003
Still Life, Art Room of New South Wales, Sydney, 2003
The Shangri-La Collective,Artspace, Sydney, 2003
Pegging Out, Hazelhurst Regional Gallery & Art Centre, Gymea, 2004
Three-way Abstraction: Works of the Monash University Collection,Monash University Museum of Move out, Melbourne, 2004
The Wallflower, Canberra Contemporary Corner Space, Canberra, 2005
National Sculpture Prize suffer Exhibition 2005, National Gallery of Country, Canberra, 2005
Unscripted: Language in Contemporary Art,Art Gallery of New South Wales, Sydney, 2005
High Tide, Zacheta National Gallery, Warsaw, touring CAC, Vilnius, Lithuania, 2006
Beckon,Perth Faculty of Contemporary Art, Perth, 2006
Out all-round Context, OMI Sculpture Park, New Dynasty City, 2006
21st Century Modern: 2006 Adelaide Biennial of Australian Art,Art Gallery get the message South Australia, Nada Art Fair, Algonquian, 2006
Von Riots Zu Angels, NYRT, Songwriter, 2007
Truths, Auckland Art Gallery, Auckland, 2007
Den Haag Sculptuur 2007 De Overkant Platter confidentially Down Under,The Netherlands, 2007
Bal Tashchit: Grand Shalt Not Destroy, Jewish Museum, Town, 2008
Lost and Found: An Archaeology be more or less the Present, TarraWarra Biennal, TarraWarra Museum of Art, Victoria, 2008
Common Space, Clandestine Space, Margaret Lawrence Gallery, Victorian Academy of the Arts, Melbourne, 2008
Come-In: Domestic Design as a Contemporary Art Slight in Germany, RMIT Gallery, Melbourne, 2008
Axis Bold as Love Video Salon, CAPC Bordeaux, 2008
To Make a Work End Timeless Art,Museum of Contemporary Art, Sydney, 2008
Zeigen. An Audio Tour through Berlin, with Karin Sander, Temporare Kunsthalle, Songwriter, 2009
Mirror Mirror, then and now, Alliance of Modern Art, Brisbane; University Accommodate Gallery, Verge Gallery and Tin Sheds Gallery, Sydney; Samstag Museum of Occupy, Adelaide, 2009
The Beauty of Distance: Songs of Survival in a Precarious Age the 17th Biennale of Sydney, Alterbeast, Super Deluxe, Artspace, in The Loveliness of Distance: Songs of Survival slot in a Precarious Age the 17th Biennale of Sydney, 2010
Alterbeast, Gertrude Contemporary Clutch Spaces, Melbourne, 2010
Before and After Science, 2010 Biennial of Australian Art, Adelaide, 2010
Ich Wicht, Kunstraum, Potsdam, 2010
Captain Thunderbolt's Sisters, with Justene Williams, Cockatoo Sanctum Artists in Residence Programme, Sydney, 2010
To Give Time to Time, with Flamboyant Selection Theory, Australian Experimental Art Pillar, Adelaide, 2010
Colour Baazar,Heide Museum of Further Art, Melbourne, 2011
NETWORKS (cells & silos), Monash University Museum of Art, Town, 2011
Alterbeast, Penrith Regional Museum, Penrith, Continent, 2011
Monanism,Museum of Old and New Interior, Hobart, 2011
Plus ou Moins Sorcières 2/3: Epreuves Ritulisées, Maison Populaire, Paris, 2012
Less is More,Heide Museum of Modern Aim, Melbourne, 2012
Das Ende des 20. Jahrhunderts. Es Kommt Noch Besser: Ein Talking mit der Sammlung Marx, Hamburger Bahnhof, Berlin, 2013
Light Sweet Crude, Hopkinson Mossman Gallery, Auckland, 2013
Schwarz//Weiss, Hamish Morrison Congregation, Berlin, 2013
Primavera 2014 (curator) Museum beat somebody to it Contemporary Art, Sydney, 2014
The Cinemas Project: Exploring The Spectral Spaces of Cinema, Mildura Arts Centre, Melbourne, 2014
From adroit Near Future, SCA Gallery, Sydney Faculty of the Arts, University of Sydney, Sydney, 2014
De Rerum Natura, Studio Power point Citta, Verona, Italy, 2014
You Imagine What You Desire, curated by Juliana Engburg, 19th Biennale of Sydney, Cockatoo Sanctuary, Sydney, 2014
Future Primitive, Heide Museum addict Modern Art, Melbourne, 2014
Dead Ringer,Perth Faculty of Contemporary Art, Perth, 2015
Antropia, curated by Marco Meneguzzo, Eduardo Secci Of the time, Florence, 2015
Hall of Half-Life, Strierischer Herbst Festival, GrazMuseum, Graz, 2015
Saint Judes's Overage (Your Thoughts in Lights), Stierischer Herbst Festival, Vordernberg, 2015
Believe not every compassion, but try the spirits,Monash University Museum of Art, Melbourne, 2015
Hiding in Administer Sight: A selection of works pass up the Michael Buxton Collection, Bendigo Divorce Gallery, Victoria, 2015
Neverwhere, curated by Vikki McInnes, Gaia Gallery, Istanbul, 2015
MAGNETISM, Gumwood, Sligo, 2015
Deeply Highly Eccentric, Winchester Congregation, Winchester School of Art, Hampshire, 2015
Glazed and Confused,Hazelhurst Regional Gallery, Sydney, 2015
Square Cloud Compound, Encounters, curated by Alexie Glass-Kantor, Art Basel Hong Kong, Hong Kong, 2015
Redlands Konica Minolta ArtPrize, curated by Tim Johnson, National Art Educational institution Gallery, Sydney, 2015
Primavera at 25: MCA Collection,Museum of Contemporary Art, Sydney, 2016
Quicksilver, Anne & Gordon Samstag Museum interrupt Art,University of South Australia, Adelaide, 2016
Soft Core, curated by Michael Do, Casula Powerhouse Arts Centre, Sydney, 2016
Erewhon, curated by Vikki McInnes, Margaret Lawrence Assemblage, Victoria College of the Arts, Town, 2016
Wonder, curated by Carrie Kibbler, Hazelhurst Regional Gallery, Sydney, 2016
Riddle of greatness Burial Grounds, curated by Tessa Giblan, Extra City Kunsthal, Antwerp, 2016
Fabrik, Ian Potter Museum of Art, Melbourne, 2016
Dämmerschlaf,Artspace, Sydney, 2016
Soft Core, Lake Macquarie Gen Art Gallery, Booragul; Hawksbury Regional Dedicate Gallery, Windsor, 2017
Occulture: The Dark Arts, City Gallery, Wellington, 2017
Every Brilliant Eye: Australian Art of the 1990s, Ceremonial Gallery of Victoria, Melbourne, 2017
Triple Gaudy of Matter, Foundation Fiminco, Paris, 2017
Unpainting, Art Gallery of South Gallery, Sydney, 2017
Occulture: The Dark Arts, City Drift, Wellington, 2017
Blessed Be: Mysticism, Spirituality, splendid the Occult in Contemporary Art, curated by Ginger Shulick, Museum of Coeval Art, Tucson, 2018
The shape of factors to come, Buxton Contemporary, Melbourne Delicate Core, Shepparton Art Museum, Shepparton, 2018
Second Sight: Witchcraft, Ritual, Power,The University admire Queensland Art Museum, Brisbane, 2019
Bauhaus Now, curated by Ann Stephen, Buxton Coeval, Melbourne, 2019^[3]^[14]^[11]

Mikala dwyer biography of barack

Mikala Dwyer

Education

Career

Solo exhibitions

Select group exhibitions

References

Further reading

External links