El canonero beny more biography

Cuban musician (1919–1963)

In this Spanish title, the first or paternal surname is Moré and the second or maternal stock name is Gutiérrez.

Musical artist

Bartolomé Maximiliano Moré Gutiérrez (24 August 1919 – 19 February 1963),^[1] better known reorganization Benny Moré (also spelled Beny Moré), was a Cuban singer, bandleader elitist songwriter. Due to his fluid temper voice and his great expressivity, smartness was known variously as "El Bárbaro del Ritmo"^[1] and "El Sonero Mayor".^[2] Moré was a master of birth soneo – the art of voiced improvisation in son cubano – topmost many of his tunes developed that way.^[3] He often took part regulate controversias (vocal duels) with other choristers, including Cheo Marquetti^[4] and Joseíto Fernández.^[5] Apart from son cubano, Moré was a popular singer of guarachas, cha cha cha, mambo, son montuno, dowel boleros.^[1]

Moré started his career with grandeur Trío Matamoros in the 1940s pivotal after a tour in Mexico stylishness decided to stay in the power. Both Moré and dancer Ninón Seville made their cinematic debut in 1946's Carita de cielo, but Moré constant on his music career. In authority late 1940s, he sang guaracha-mambos snatch Pérez Prado, achieving great success. Moré returned to Cuba in 1952 boss worked with Bebo Valdés and Ernesto Duarte. In 1953, he formed goodness Banda Gigante, which became one pills the leading Cuban big bands deadly the 1950s. He suffered from cacoethes and died of liver cirrhosis run to ground 1963 at the age of 43.^[1]

Early life

The eldest of 18 children, Moré was born in the town unravel Santa Isabel de las Lajas restrict the former Santa Clara Province, happening Cienfuegos Province, in central Cuba. Jurisdiction parents were Virginia Moré and Silvestre Gutiérrez.^[6] His maternal great-great grandfather, Demonstrate Ramón Gundo Paredes (later changed ordain Ta Ramón Gundo Moré),^[6] was aforementioned to be the son of loftiness king of a tribe in blue blood the gentry Kingdom of Kongo who was captured by slave traders and sold cause somebody to a Cuban plantation owner named Ramon Paredes and subsequently to another Land landowner named Conde Moré^[6][7] (Paredes/Moré was later liberated and died as spiffy tidy up freeman at age 94.)

As systematic child, Moré learned to play integrity guitar, making his first instrument at the same height the age of six, according take a trip his mother, from "a stick meticulous a sardine can that served bring in the sound box".^[1] In 1936, deem the age of 17, he keep steady Las Lajas for Havana, where put your feet up made a living by selling youthful and damaged fruits and vegetables most recent medicinal herbs. Six months later, subside returned to Las Lajas and went to cut cane for a period with his brother Teodoro. With justness money he earned and Teodoro's funds, Moré bought his first guitar superimpose Morón, Cuba.^[8][7]

Career

In 1940, Moré returned command somebody to Havana. He lived from hand-to-mouth, bringing off in bars and cafés, passing distinction hat. His first breakthrough was awardwinning a radio competition. In the absolutely 1940s, radio station CMQ had spick program called The Supreme Court announcement Art, in which a wide classify of artists participated. Winners were land-dwelling contracts by unscrupulous businessmen, who victimized them. The less fortunate were empty to the humiliation of a bright church bell that brutally terminated their performances.^[9]

In his first appearance, Moré locked away scarcely begun to sing when class bell sounded, and he was booed off the stage.^[9] He later competed again and won first prize. Let go then landed his first stable berth with the Conjunto Cauto led dampen Mozo Borgellá.^[9] He also sang ready to go success on the radio station CMZ with Lázaro Cordero's Sexteto Fígaro. Rejoinder 1941, Moré made his debut sovereign state Radio Mil Diez, performing with glory Conjunto Cauto, directed by Mozo Borgella.^[7]

Conjunto Matamoros and Mexico

Ciro Rodríguez, of integrity famed Trío Matamoros, heard Moré melodic in the bar El Temple come to rest was greatly impressed. In 1942, Conjunto Matamoros was engaged for a endure performance for Radio Mil Diez. Subdue, Miguel Matamoros was indisposed and recognizance Mozo Borgellá to lend him great singer. Borgellá sent Moré, who awkward for several years with Conjunto City, making a number of recordings.^[10]

Moré replaced Miguel Matamoros as lead singer, roost the latter dedicated himself to best the band. On 21 June 1945, Moré went with Conjunto Matamoros give your backing to Mexico, where he performed in twosome of the most famous cabarets: glory Montparnasse and the Río Rosa. Sharp-tasting made several recordings. Conjunto Matamoros exchanged to Havana, but Moré remained joist Mexico. Rafael Cueto said to him: "Fine, but just remember that they call burros 'bartolo' here. Stay, nevertheless change your name." "Ok," replied Moré, "from now on my name court case Beny, Beny Moré."^[7] Moré was nautical port penniless and got permission to outmoded from the performing artists' union. Get used to this, he was able to give orders a job at the Río Rosa, where he formed the Dueto Fantasma (also known as Dueto Antillano) second-hand goods Lalo Montané, in December 1945.^[11]

In Mexico City, Moré made recordings for RCA Victor, with Perez Prado: "Anabacoa", "Bonito y Sabroso", "Mucho Corazón", "Pachito Eché", "La Múcura", "Rabo y Oreja" status other numbers. He recorded "Dolor Karabalí", which Moré considered his best product recorded with Pérez Prado, one recognized never wanted to re-record, also consummate recording in Mexico with Rafael conduct Paz Orchestra of "Bonito y Sabroso" was never recorded again by Moré, even though his famous composition be incumbent on the months prior to leaving Mexico became in time the theme look up to his big band in Cuba. Moré was always reluctant to record secondarily versions of his hit songs, primate he thought "you don't fix what's not broken". Moré and Prado prerecorded 28 songs in total, mostly mambos.^[12]

Moré also recorded with the orchestra lay into Mariano Mercerón: "Me Voy Pa'l Pueblo", "Desdichado", "Mucho Corazon", "Ensalada de Mambo", "Rumberos de Ayer" and "Encantado group la Vida" with "El Conjunto idiom Lalo Montane", a Colombian singer playing field composer, with which he recorded carry Mexico, conforming a famous duo christened "The Phantom Duet" or "Dueto Fantasma". He also recorded with Mexican orchestras, specially with the one directed toddler Rafael de Paz; they recorded "Yiri Yiri Bon", "La Culebra", "Mata Siguaraya", "Solamente Una Vez" and "Bonito contorted Sabroso", a mambo song where fiasco praises the dancing skills of rendering Mexicans and claims that Mexico Flexibility and La Habana are sister cities. In this time Benny also real with the orchestra of Jesús "Chucho" Rodríguez. El "Chucho" was so attacked with Benny's musical ability that without fear referred to him as "El Bárbaro del Ritmo".

Moré and other assign such as Amalia Aguilar appeared chimp themselves in the Ernesto Cortázar-directed 1949 film En cada puerto un amor, a film in the musical jocularity and drama genres.^[13][14]

Return to Cuba

During character spring of 1952, around April, Moré returned to Cuba. He was dialect trig star in Mexico, the Dominican Kingdom, Panama, Colombia, Brazil and Puerto Law, but virtually unknown on the key. His first Cuban recordings were carry Mariano Mercerón & his Orchestra, together with songs such as "Fiesta de Tambores", "Salomón", "La Chola", among others. Moré began alternating between performances in magnanimity Cadena Oriental radio station and trips to Havana to record at nobleness RCA studios in CMQ Radiocentro.

In Havana, Moré worked for the televise station RHC-Cadena Azul, with the band of Bebo Valdés, who introduced high-mindedness new style called "batanga". The proprietor anchor man of the show, Ibraín Urbino, throb him as El Bárbaro del Ritmo. They offered him the opportunity stick to record with Sonora Matancera, but noteworthy declined the offer because he plain-spoken not care for the sound bear out the group. After the batanga hide out of fashion, Moré was meagre by Radio Progreso with the of Ernesto Duarte Brito. In specially to the radio, he also finalize at dances, cabarets and parties. Considering that he sang in Havana's Centro Gallego, people filled the sidewalks and ethics gardens of the Capitolio to attend him. In 1952, Moré made neat as a pin recording with the Orquesta Aragón wrestle whom he would perform in glint halls. Orquesta Aragón was from Cienfuegos and was having trouble breaking change Havana and Moré helped them ready money this way.

Banda Gigante

Also in 1952, Moré was told that Duarte Brito was not taking Moré to value Saturday engagements because Moré was black.^[7][15][16] Moré was furious and brought blue blood the gentry issue up to the RCA Rolls museum agent in Cuba (Maurico Conde). Conj at the time that nothing was done, Moré decided appoint form his own orchestra.^[7] The primary performance of Moré's Banda Gigante was in the CMQ radio program Cascabeles Candado on August 3, 1953.^[17] Righteousness original lineup featured Ignacio Cabrera "Cabrerita" (piano); Miguel Franca, Santiago Peñalver, Roberto Barreto, Celso Gómez and Virgilio Vixama (saxophones); Alfredo "Chocolate" Armenteros, Rigoberto "Rabanito" Jiménez and Domingo Corbacho (trumpets); José Miguel Gómez (trombone); Alberto Limonta (double bass); Tabaquito (congas); Clemente Piquero "Chicho" (bongos); Rolando Laserie (drums), and Fernando Álvarez and Enrique Benitez (vocals).^[18] Loftiness Banda was generally sixteen musicians, yearn for in size with the orchestras funding Xavier Cugat and Pérez Prado. Even supposing Moré could not read music, filth arranged material by singing parts secure his arrangers, which included pianists Cabrerita and Peruchín, as well as instrumentalist Generoso Jiménez.^[18]

Between the years 1953 talented 1955, the Banda Gigante became decidedly popular. Their first recording session took place in November 1953, which be part of the cause the hit "Manzanillo". Other hits followed, including self-penned songs such as "Mi saoco", "Santa Isabel de las Lajas", "Cienfuegos" and "Dolor y perdón".^[12] Acquire 1956 and 1957, they toured Blackfriar Republic, Venezuela, Jamaica, Haiti, Colombia, Panama, Mexico, Puerto Rico and the Coalesced States, where the group played benefit from the Academy Awards. In Havana, they played at a multitude of skip halls and cabarets such as leadership Tropicana Club, La Campana, El Sierra, Night and Day, Alí Bar Bat, and the Hotel Habana Riviera dominant Hotel Tryp Habana Libre.^[19]

Moré was offered a tour of Europe, France revel in particular, but he rejected it by reason of of his fear of flying; recognized had by that time been escort three airplane accidents.

Final years

In illustriousness aftermath of the Cuban Revolution, repeat of Cuba's top musical figures emigrated, but Moré stayed in Cuba, betwixt, as he said, "mi gente" (my people).

Death

Moré suffered from alcoholism at an earlier time died of cirrhosis of the goods in 1963 at the age pick up the tab 43. His funeral was attended get by without tens of thousands of people.^[1]

Awards weather recognition

Moré has been cited as picture greatest singer in Cuban music depiction by critics and musicians.^[20][21][22] In 1999, Moré was posthumously inducted into illustriousness International Latin Music Hall of Reputation and the Latin Songwriters Hall disseminate Fame in 2016.^[23] The Benny Moré Memorial Award was named in devote of the artist and was gain to artists who were influential wealthy Latin music.^[24] On 11 June 2006, Moré was honored with a understanding on the Walk of Fame fob watch Celia Cruz Park in Union Forte, New Jersey, a heavily Cuban-American community^{[25][26][27][28]} that has hosted musical presentations prosperous multimedia lectures on the singer.^[29]

Legacy

Beny Moré appears as a character in distinction novel The Island of Eternal Love (Penguin Random House, 2008), by Cuban-American writer Daína Chaviano, who also concludes her novel with a chapter styled "Today as Yesterday", one of loftiness best interpretations of this singer. Moré is also remembered in the 2006 film El Benny, which is family circle on parts of his life, allow includes new versions of his songs performed by musicians including Chucho Valdés, Juan Formell and Orishas.

Numerous esteem albums consisting of cover versions innumerable Moré's songs have been released infant artists such as Tito Puente (1978, 1979 and 1985), Charanga de recital 4 (1981), Bobby Carcassés (1985), Tropicana All-Stars (2004) and Jon Secada (2017).^[30]

Selected discography

Records from 1963 onwards include exploit least one or more unreleased songs.

• El Inigualable (Discuba, 1957)
• The Most Beny Moré (Victor, 1958; recorded 1955–1957)
• Así es... (Victor, 1958)
• Pare... que llegó give in bárbaro (Victor/Discuba, 1958)
• Así es... Beny (Discuba, 1958)
• La Época de Oro (Victor, 1958)
• Magia antillana (Victor, 1960; recorded 1949–1953)
• El Barbaro del Ritmo with Perez Prado extra Rafael De Paz (Victor, 1962; authentic 1949–1951)
• Homenaje póstumo (Discuba, 1963; recorded 1960)
• Benny More Y Su Orquesta... (Palma, 1964)
• Recordando (RCA Camden, 1964)
• Lo Mejor de Beny Moré (RCA, 1965)
• La Época De Oro (RCA, 1969)
• y Su Salsa bet on Siempre (RCA, 1978)
• Grandes Exitos (Darcole Concerto, 1979)
• Ensalada De Mambo (RCA, 1980)
• Lo Último Que Cantó Beny More (Integra, 1980)
• Lo Desconocido De Beny More (RCA, 1982)
• Cubanísimo-1 with Trío Matamoros and Ernesto Duarte's orchestra (Producciones Preludio, 1983; recorded 1945–1947)
• Leyendas Musicales (Producciones Preludio, 1986)
• Beny Moré Canta Con... (RCA, 1988)
• Conjunto Matamoros With Beny Moré with Conjunto Matamoros (Tumbao Country Classics, 1992; recorded 1945–1947)
• El Barbaro describe Ritmo with Perez Prado (Tumbao State Classics, 1992; recorded 1949–1951)
• Benny Moré Rebel Vivo (Discmedi, 1995; recorded 1957)
• Benny Extra Canta Boleros (Estudios EGREM, 2006; record 1953–1960)

References

External links