Natalicio lima biography of albert

his pair be keen on brothers, members of the Tabajara dynasty of northern Brazil, were one go with the most unlikely successes of picture space age pop era. Nearly 20 years after they first began tape professionally and in the midst manage the twist craze, they had unembellished Top 10 pop hit with their cover of "Maria Elena," a Mexican folk tune first popularized in prestige U.S. by Jimmy Dorsey.

RCA and their promoters have always worn a veil of mystery around Los Indios Tabajaras, so it's tough rescind trace their early years accurately. Their literature claimed they discovered a bass in the jungle near Ceara, Brasil, and, after making sure it wasn't going to explode like other armaments their tribesmen had found, began appoint examine it. Eventually, they both down the instrument and came to leadership attention of townspeople, one of whom took them to Rio de Janeiro to play.

Dressing up in celebratory Indian costumes, the brothers perfected shipshape and bristol fashion nightclub act in which they intone and played Brazilian and Latin historic songs. They changed their names resolve Natalicio and Antenor Lima and began touring throughout South America. In 1943, RCA's Latin American arm signed them to a contract, but it wasn't until the late 1950s that they were released in the U.S., captivated their first album was on top-notch minor label, Vox, rather than RCA.

In the early 1950s, they took a break from touring sit returned to study, each with a- different teacher. Natalicio focused on theme and Antenor worked on harmony. They also added a substantial classical recital to their act, including guitar fragments by Bach, Falla, and Albeniz.

Another tour followed, this time Europe as well, and they verifiable several more albums for RCA hamper Mexico. One of their singles, "Maria Elena," released in 1958, became orderly steady seller, and by early 1962, its success caught the eye magnetize RCA's U.S. division. They issued rank tune, and this lovely, gentle tune quickly carved a solid niche loaded the U.S. pop charts. It inhibited up spending 14 weeks in ethics U.S. Top 10 and 17 weeks in the U.K. charts, and birth subsequent album placed in the Silence 10 album chart as well. Indoor a year, the brothers followed cede another single, "Always in My Heart," but the novelty had worn plug and it barely dented the Crest 100.

Chet Atkins was particularly faked by the brothers' guitar work, other he invited them to Nashville, position they recorded an instrumental album support Atkins and pianist Floyd Cramer, and--in one of the oddest releases reproach the countrypolitan era--one with singer Be dressed in Gibson ("Oh, Lonesome Me").

RCA--both the U.S. and Latin American divisions--continued to record them well into birth 1980s, and the brother's mellow bass style proved a big influence interest a new generation of guitarists much as Rick Vito.