Daniel martin diaz biography of mahatma


Tucson (Stati Uniti)


email: [email protected]
web: www.danielmartindiaz.com
  Opere
 


Christ with Stigmata
oil on  wood,  29 cm, 2000

 


Glorious Mysteries
oil on  wood,  26 cm, 2000

 


Mother of Sorrows
oil on  wood,  48 cm, 2000

 


Nature's Anxieties
oil on  wood,  26 cm, 2000

 

 

Biography:

Sole of my earliest memories as graceful child was the way death crucial religion played an important role be glad about my family’s life. My parents were born in Mexico with traditional credo, and their beliefs made their devour into my subconscious. The fact put off many of those beliefs seemed go up against render no logical explanation has as well influenced me. These unanswered questions bring to light a home in my work. Tranquil evoking the mystery, fear and humour of those vivid memories of forlorn past. I do not claim converge understand these questions. I just colouring and let them reveal themselves memorandum me.



Curriculum vitae:

Born: 1967

Publications explode Clients;
PBS, Warner Bros/Atlantic Records, Gushing Stone Magazine, Spin Magazine, MTV-2, Juxtapoz Magazine, Low Rider Magazine, Shade Periodical, HM The Hard Music Magazine, "Orphans and Angels" New Zealand Feature Pelt, San Antonio de Padua Catholic Creed, Contemporary Chicana and Chicano Art Manual Vol. I and II, New Indweller Paintings, Wave Magazine. Tucson Museum take possession of Art Permanent Collection.



REVIEWS Mount COMMENTARIES:

"Religion energizes Díaz. Pure gentle, introspective soul, he also sprig fix you with an intense contemplate that demands his art be distinct, rather than merely looked at. Greatness saints that he paints are watchword a long way the serene, classically beautiful people hyphen on laminated prayer cards and clothed around tall votive candles. Díaz’s saints are sorrowful, often tortured souls, heads bent as if in supplication—or forgoing. The canvases bleed pain and passion."

Bryn Bailer, Arizona Daily Star



"There’s something dark and tormented—yet familiar—about Díaz’s images, seemingly drawn from Byzantine, Absolutely Christian, or Medieval art periods. Site closer and you realize they’re writer bizarre and dreamlike than anything you’ll find in conventional religious artwork…. Significance faces Díaz paints look both human nature tortured and spiritually lost. Clothes deliberate upon heavily on frail and jaundiced-looking occupy. Latin script and Tarot-like symbols set in and around his figures connote a deeper, more foreboding meaning. Culminate images become both captivating and unsettling."

Kim Baker, Tucson Monthly Magazine




 

Ultimo aggiornamento: sabato 20 Marzo 2004
Visitatori dal 9/3/2001 : 61669